meet bwana. his tunes started racking up plays and conversations commenced with new music buddies xi, submerse and djd. a variety of different 130bpm sounds were toyed with from dubstep, garage, 2 step, 808 dubstep and his very own mashes of r&b-lead garage-step. it all seemed to work. a bunch of labels got in touch and tracks were signed to mad decent and montreal based infinite machine.

this one is with morgan phalen, from a band called diamond nights that we love but went unnoticed 6/7 years ago. he lives in los angeles and we had him come over to paris to record. we wrote the lyrics with him and tried, as always, not to sound too stupid, avoiding clichés like come to the dancefoor, but without pretending to be bob dylan either. our lyrics are always a bit quirky. if they sound good and theres a little edge or something fun to them, were happy.

this one is with morgan phalen, from a band called diamond nights that we love but went unnoticed 6/7 years ago. he lives in los angeles and we had him come over to paris to record. we wrote the lyrics with him and tried, as always, not to sound too stupid, avoiding clichés like come to the dancefoor, but without pretending to be bob dylan either. our lyrics are always a bit quirky. if they sound good and theres a little edge or something fun to them, were happy.

when no one is watching ramona, is usually listening to future times records and beautiful swimmers all days. maxmillion dunbar is not only half of those aquanauts, but also running the label and releasing music as max(million) d(unbar). what a guy! hanging out in the vague territory between slow-motion house with a hip hop feeling or dubby and dubious fun music, his melodious approach is extremely hard to categorize but all the more enjoyable. >polo< already saw the light of day on >max trax for world peace<, but ramonas favorite dj ata and live at robert johnson manager oliver hafenbauer were so much in love with the bleepy bonbon that they offered it a place by their fireside. now cautiously modified, fine-tuned and extended for its label home, its a rainforest serenade for beatnik boys and girls, with all the ingredients you want from tha d. the only kid able to thrown down the gauntlet in front of maxi is frankfurts melody man phillip lauer (arto mwambe, brontosaurus, etcetera etcetera). turning >polo< into one of his trademark sluggish bass line barrage tracks with falsetto synths and sharp snares. get your vogue brogue out.

risp is richard devines most advanced exploration of experimental acoustic space to date, now available from detroit underground. these compositions were created and initially sequenced on the euro rack modular and elektron octatrack machines

the first release by heiko laux and the 2nd ep to come from his now legendary kanzleramt imprint. ravesignals from a time, when techno and trance were still dancing hand in hand.

1994 kanzleramt release by anthony rother and matthias geist aka notsignal. a blast from the past, when techno and trance still were close brothers.

between 1978 and 1984 can as a group were utilising the innerspace studio in cologne less frequently in order to search for new ways to develop their sound and creativity. however drummer jaki liebezeit and holger continued to record and experiment at the studio and czukay considers this time as the most fruitful and creative period they spent together. born from this time was >secret life< and >in space< and these are presented on a white vinyl disc in a fantastic full colour thick card sleeve. limited & hand-numbered!

at last - the essential montreal ep tracks mastered properly! comes in a twice hand-stamped brand new printed downwards jacket tracks unavailable on vinyl for some years regis explores the various forms and effects of repetition within this d.a.f. inspired 1995 british underground techno classic. properly mastered for the first time by our very own techno luvvy matt colton - this is truly linear, hypnotic, low-fi machine funk.back in the early days of downwards only the surgeon titles were mastered properly as oconnor didnt think his own productions were worth it(having been transferred direct from tape)features a brand new downwards printed jacket and two hand stamps.

for those of you who missed out on this great record the first time (which isnt strange since there were only 100 copies pressed...), here is your chance to get your hands on one of our favourite arcanoid releases, this is the 2012 edition.

after two smoldering releases on figure & spc, roberto bosco is back for his third offering for len fakis spc imprint. a future-classic 4 track techno ep, with more than enough to keep the peak time floors happy, this is big room music at its most intelligent and sensitive. easing us into the thick of it, charming noise takes humming, rumbling bass tones and a metallic clang as its themes. slow burning and readily effective, its a brooding monster for the late hours. i just cant breathe pushes the adrenalin up a few notches in a screaming, white noise attack on the senses. boscos trademark heavy bass rumble and crisp percussion layers hold their own in this reduced killer. were then ready to embark on an emotional voyage as the masterful see the light emerges from the depths with its pushing acid bass and beautiful atmospheric melody. classic strings and synths swirl and build in a tender and heartfelt piece of timeless techno. closing the ep, i was lonely takes the vibe into more reduced, after-hours zones with robertos cool and low-slung take on the smoother sound of futuredeep house.

were you able to touch them – to render them tangible and actually trace the rhythms in yachts i walked alone – the lines would form steep hills and sudden cliffs that rise and drop off, again and again, at steep, sharp angles. the wiry funk and itchy bass move like a controlled spasm, convulsive and itchy, until the breakdown, when the nervous tension gets released in a series of cowbell clunks and a guitar solo that leaks out like a slow moving electric current. on this vinyl only collection of remixes, parisian duo get a room!, aka rove dogs and jeff masson, massage out the herk and jerk, making for a more relaxed and aurally warm take. the sound of things is far housier here – and more pop, in the very best way – owing to synths where there previously were none and angles newly bent and refashioned into smooth, circling cycles of disco-infused sound. and theres more from jacques renault, who contributes a remix both with and without vocals. the new york city dance music stalwart takes his time building to a plateau of perfectly paced beats and a wall of recurring dream(y) house rhythms. feels like music that fills the room, takes over your senses, and wraps you in its effervescence. - kali holloway

since we met ark in spain a while ago. after being around since 1997, we were curious what he would do for a small label like klamauk. well, we are happy that we ve got one we really love for its moods. his track >fat runner< is a deep growing house track with arks typical kind of breaks, getting faster and faster, ending in a true dance monster. welcome to the klamauk family

after the old-school inspired >forward to the past< that saw a poker flat re-visit some seriously jacking zones, we now focus directly on acid house and the genres beloved roland tb-303. that innocent little box created some of the most freaky basslines in dance music history, and were here to celebrate its unique tone and the legacy of acid. producers featured include motorcitysoul, vincenzo and tyson balard, sven tasnadi and juno 6, sasse, steve bug, kink and neville watson, snuff crew, tinman, glimpse & will saul.

after a summer break were proud to announce the forthcoming klangfarbe-release: kla09 is done by mikh solvis, a young & talented, 22 year old russian fellow from yekaterinburg, who delivers two atmospheric tracks in warm and gentle moods! perfectly suiting days which are getting colder. the original tracks are framed w/ edits by todd bodine and flipside by daniel mehlhart, who will both be featured, each with a single track, beside mri and tandem on our tenth ep, the x ep! please check also our klangfarbe klub venues in colognes lovely studio 672! come around if you are in town! keep your eyes, ears and especially mind wide open and enjoy our music! supported and played by: laurent garnier, karotte, someone else, oliver schories, sebo, andrew grant, mike callander, tandem, seth troxler, souki & windish and many more!

simply a streak of creative energy: in fall 2010, the swiss 8-piece funk-orchestra gmf - grand mothers funck released their 7-track ep >gmf feat. akil the mc<, limited edition on vinyl only, which was sent to selected djs all around the world. in 2011, gmf completed their full-length cd-album >the proud egyptian< (ch: sony music/ internat.: glm-impulso) and toured excessively with their special guest akil the mc (jurassic 5). meanwhile, their vinyl-ep was playing on turntables in england, germany and france and many remixes were being made?
breakbeat paradise recordings is now proud to present a brilliant collection of remixes by europes finest funk- and breakbeat-djs mr. confuse (d), breakbeat junkie (uk), zamali (b), farside (ch), kalumenos (ch) and last but not least: bbps own badboe (dk).

the detroit area artist/producer once called ibex is no more. due to other artists copying the ibex brand, tony ollivierra will now be recording as his real name under his new label northside district. this first release demonstrates a continued appreciation for the roots of electronic music, with several of these tracks sounding like they were buried in a time capsule back in 1987, and unearthed after marinating for twenty years or so. this should come as no surprise, since tony has been producing tracks for about that long.

for a while it was the perfect label… no,were not (yet) talking about gomma from munich,also an excellent address. this is about the legendary company casablanca records&filmworks from hollywood who during the second half of the 70s literally skyrocketed and played an essential part in shaping modern disco music. besides scoring some mega successes with their famous leading acts donna summer, kiss und village people, casablanca revolutionized the development of electronic dance music like no other label.

terence: terry’s record label la vie en rose gets set to re-release the huge hit >key of love< for the third release on the label, also featuring a rework from u s h and a remix from hold youth aka seuil and le loup.>key of love< was released for the first time back in 2002 on the label d-note by sleaze, which was made up of u s h and greg. it graced the dance floors of all the best underground clubs from ibiza (dc10) to paris (zebra) and it also featured on >kwality<, the ralph lawson and dan ghenacia compilation, gaining further popularity. limited copies were pressed so it quickly became a favourite for the vinyl collector.

visioneers join bbe in celebrating their 15th year with this special edition 45. at a time when most labels were pressing extended play 12 vinyl, marc mac (4hero) took a chance on releasing limited edition 7 inch 45s under the guise of visioneers. right from the start these 45s became a big deal among the funk, eclectic & hip hop djs including jazzy jeff, kenny dope, dj spinna, giles peterson, nick weston, benji b and j rocc. >the world is yours<, a remake of the classic pete rock beat for nas was originally released in 2002 and >its simple< was a visioneers version of one of marcs own beats from the album >how about a game of chess?<. this limited edition pressing coincides with bbes 15th anniversary and the run up to a brand new visioneers album in spring 2012. two classics on a classic label, limited pressing with the bbe anniversary design. dont miss out!

tony bennett, born in 1926, was raised in new york city and scored his first number one hit in 1951. he became very successful with his repertoire of popular music, standards, show tunes, and jazz.
>the movie song album< is a 1966 studio album that consists of songs from films, opening with the theme from the oscar. bennett described the album in his autobiography as his all time favorite record. among the arranger and conductors were none other than neal hefti and quincy jones.

crossroads in cowtown explores a period in country music history when genres were being bent and boundaries smashed. focusing on western music, either produced in or influenced by californian studios and artists of the fifties, this compilation delves into the classic hillbilly sounds of the period and revels in the oddities created when disparate styles collide in the search for commercial success.
compiled by brighton-based dj shamblin sexton, crossroads in cowtown collects together a swinging selection of western pop tunes that brings on the hillbilly fever!

pop will eat itself (they took the name from a feature in the nme) was formed in 1986 and became one of the most well-known grebo-acts before changing their style to alternative dance and industrial rock. in 1996 they disbanded the group and each of the bandmembers concentrated on solo projects before shortly reforming the band in 2005 to play some shows. these gigs were notable from their instant double live albums which were available only ten minutes after the gigs. in july 2011, graham crabb announced a new line-up with him as the only original member.
>new noise designed by a sadist< is the first release with new pwei-material since 1994.

far out recordings celebrate a funky south american christmas with the release of a special and very limited –, to just 100 sets worldwide –, edition heavyweight vinyl lp double pack from the labels two biggest artists azymuth & banda black rio. their albums were two of the records of the year in the latin / funk / dance / world market and here the perfect combination come together to party through the end of 2011 brazilian style. presented together for the first time this quality package of legendary artistsl, brilliant acclaimed new recordings and stunning reversible artwork (azymuth by andy votel and banda black rio by paul flack) will become highly sought-after as with far outs previous exclusive, limited five seven inch vinyl set for record store day.

the four tracks featured on this ep are all previously unreleased and were produced in london by graham dee between 1967 and 1969.

soundway continue their journey into colombia with this limited edition 45 featuring two bolts of colombian dancefloor thunder. both songs were originally released on the legendary discos tropical label and are re-issued here for the first time out of south america.!side a features a version of the party standard ‘tequila’ by orquesta tropicana. blaring horns, hand claps and shouts for tequila combine for a latin dancefloor classic. side b is a version of the legendary fania salsa track ‘lluvia con nieve’ that was originally released in 1964 on the new york label. sonora tropical re-recorded the track for discos tropical and has remained unavailable outside of colombia until now.

cadillac is an australian luxury vehicle marque signed to future classic.if you like guitar solos, slow mo piano jams and the sounds of baleric,disco,pop and rock then we might have just the vehicle for you. on first inspection of their self titled ep youll find their guitar and synth beast dreams featuring guest vocals of wolf & cubs joel byrne, the stadium jammer past midnight, sexy porno interludes, blue skies and make you feel - two great tunes for dancing to and the glorious piano outro high for me. the remixes on this summer champion include dfa and eskimo regular ray mang, prince rama - recently picked by pitchfork and sup magazine as rising stars,marcos cabral of runaway and on the prowl fame (busting out some organ house),germanys daniel bortz whos remixed some of our favourite usher and 112 tracks, miracles club who have been loved by cut copy, with releases on cut copys very own cutters label and american label mexican summer then rounding it all off is luxembourg residents the sun glitters who were just picked as band of the day by the guardian. this bad boy is available on digital but most importantly available on vinyl as a double 12 inch - a future classic first! come and embark on cadillacs journey of an endless summer.

includes free bonus 10inch picture-disc! after the old-school inspired >forward to the past< that saw a poker flat re-visit some seriously jacking zones, we now focus directly on acid house and the genres beloved roland tb-303. that innocent little box created some of the most freaky basslines in dance music history, and were here to celebrate its unique tone and the legacy of acid. producers featured include motorcitysoul, vincenzo and tyson balard, sven tasnadi and juno 6, sasse, steve bug, kink and neville watson, snuff crew, tinman, glimpse & will saul.

decks exklusive pack also incl great acid yellow bag ... free bonus 10inch picture-disc! after the old-school inspired >forward to the past< that saw a poker flat re-visit some seriously jacking zones, we now focus directly on acid house and the genres beloved roland tb-303. that innocent little box created some of the most freaky basslines in dance music history, and were here to celebrate its unique tone and the legacy of acid. producers featured include motorcitysoul, vincenzo and tyson balard, sven tasnadi and juno 6, sasse, steve bug, kink and neville watson, snuff crew, tinman, glimpse & will saul.

6 months after we first ventured into vinyl territory were back with a new ep. the follow up to kastils dusty edits is a sampler containing 4 tracks by 3 artists we are heavily supporting at the moment. the a1 is again by basque county based kastil. shes back is a wonderful sample drenched house track containing soul touching vocals. definitely one for the dancefloor. on the a2 we have doctor bills by fellow rotterdam native ben la desh this is actually his first release out of many to come. this track has been circulating the soundcloud for a few months and was played by ooft! in one of his excellent podcasts. on the flip we find two tracks by taiko mochi name:tomas malo. while the b1 scenesters is a great more uptempo disco house track with quite an emotive break its the b2 slomo track shelter that has been stealing the show until now. if youre in to real slow and mesmerizing music this might just be the one for you. support by: ooft!, the dead rose music company, miguel campbell, craig smith (6th borough project), andy ash, james johnston, soho808, sleazy beats recordings, zoo look, kirill tipo, fulbert, satore.

norm talley tackles techno. yes, you heard that right… in spite of 3 tracks on the original transmissions that fell a little closer to what the heads would expect from a very reliable source, it was that first one that everyone begged for more of. we must agree that those 3 minutes were just a little of a tease, so here is the full 9-minute extended cut of “man on the moon” that all of you asked for, and what a trip it is! certainly funky broken-beat techno is a new look for norm, but it’s pretty obvious in all 9 of the minutes here that this is a man from detroit making the music he knows best. there’s a groove and a touch here that speaks of soul and experience… although you may find this one in the crates of some of the new school techno elite, it’s safe to say they couldn’t have made it the way norm talley did. even if you remember part one you may be surprised where he takes it, but we’re even more pleased to say that “earth 2 moon” beats it at its own game. this one made our necks snap and heads turn the very first time.

if im a cliche were a home, fit would be the guest room. im a cliché has some relatives - whether distant or close - who happen to produce isolated gems that just have to be released. the first volume of fit gathers four dance tracks made by different people based in various countries. fitting im a cliches artistic view is the only thing they have in common, and it means a lot to the label.

onur engins latest ep of super fine cut finds us in a white 74 caddy cruising up harlem river drive, top down, diggin the nyc scene. the mizells epic production of bobbi humphrey is taken a notch up by onur engins clean and tasteful edition. can it be possible another notch up? emphatically yes - just that extra pump, wonderfully looped and extended intro and were cruising.dropping us down a gear on the flip, onur takes al johnson & jean carnes im back for more & gwen mccraes lets straighten it out and takes us in two equally appealing directions.in back for more,onur engin reconstructs a deep & stellar voyage.straighten it out hits the blue highway with mccraes unique vocals in full flight.another great installement of onur engins warm & natural edit series. dont miss!

>he mentioned he was a house head, something about being old school<henry maldonado knows a thing or two about dance music. having made his mark in the 90s on strictly rhythm and maw, the new york native more recently delved into disco endeavors, both as one-half of native underground on wurst and under the shade, and also solo as son of sound on tirk, and now mystery meat.spirit catcher is peak-time filtered disco house action of the highest order. punchy drums, a huge bassline and massive floor-filling vocals do the damage every time. she rides takes the tempo down a notch, bringing that electro funk vibe you know all the kids were poppin and lockin to way back when.thanks in advance keeps things firmly in the 80s with affected female vox and killer arpeggios aplenty. mmmm, the meat sure is tasty this week!

if you were to ask freedarich to state the artistic area he prefers working in, his shotgun answer would most probably be music with all its influences. what amuses and enthuses me most, is the subtly absurd introduction of different styles freedarich says about himself. generally, his main passion seems to lie in the unearthing of the concealed and unknown, and making these accessible to the listener.

the original horsemen concept was initially conceived by 4 minds coming together through one unifying vision. those minds were of: ink, loxy, keaton and dylan. carving out their own unique take on drum & bass. fusing together specific elements that would form the fundamental cornerstones of the horsemen sound: raw original sampled breaks, heavy sub bass and dub elements. this style and concept has since seeped into the consciousness of a new wave of producers across the globe and has influenced and evolved into the sonics presented here on this album. ink and loxy in conjunction with renegade hardware are proud to present: horsementality...
dj support: ink, loxy, cern, marky, alix perez, spy, btk, optiv, sabre, bailey (1xtra) , flight (rinse fm) + many more.

cobblestone jazz are back after the highly successful memories ep with their second installment in the series. on the a side, we find the spaced-out zero-gravity jam lunar lander - its sparse and jittery beats complimented by some sweet key stabs and a thick and burly analogue bassline. flip it over for your life (you re life) - an uptempo slugfest of crunchy beats and a driving bassline that wont quit. as always, both tunes were recorded live in studio and have been culled and edited for your mixing pleasure (a side duties performed by tyger dhula while the flip was done by danuel tate). stay tuned for the next installment, and, until then, enjoy!

in the psychedelic late sixties there was a lively music scene in the canterbury area that revolved around the band the wilde flowers. they never recorded much themselves, however, but after they disbanded other influential bands were formed from their ashes: gong, soft machine, and, most importantly, caravan.
caravans eponymous debut was released in 1968. it was considered a groundbreaking album capturing the freakish and exploratory moods of the times. their sound went much further than the changing styles of the contemporary underground and that is what distinguished caravan from other bands in their genre.
pressing on 180 grams audiophile vinyl.

one of camel s bandmembers suggested doing an entire album based on a book. a number of books were eligible but the emotional appeal to the snow goose by paul gallico was so strong they started writing and recording a concept album that would portray their vision of the story. the result, the instrumental the snow goose, turned out to be their breakthrough.
pressing on 180 grams audiophile vinyl, including full colour insert.

in 1973 focus were at their peak! they simultaneously had two top 10 albums (focus 3 (movlp022) and moving waves (movlp023)) and two hitsingles (sylvia & hocus pocus). all of the musicians were voted as top 10 musicians in each of their categories. jan akkerman was voted worlds best guitarist. with a live reputation that proved focus lived up to these best musicians claims, the right thing to do was to release a live album: focus at the rainbow. (fact: on the night of the recording, due to the demand for encores, focus ran out of pieces to play!)
180 grams audiophile vinyl pressing with insert.

the singular threads of the musical fabric that is barrio weedwagon are too numerous and long to trace the beginnings. however, the story does indeed have a start. the spark first took flame on a dance floor deep in the heliopolis favela of são paulo, brazil. after this initial shared out of body experience about 2012, barrio weedwagon can best summed up in these words: emerging from a black hole in the center of the milky way galaxy, the beings who would claim the name barrio weedwagon were awakened. the steady stream of organized radio frequencies from earth became a soothing and yet tantalizing lullaby for our heroes.

over two years ago already, we were announcing andres zaccos first ep on airdrop. the >seated hopping ep< had been sent to us by andres best friend, none other than el senor franco cinelli. needless to say, we fell in love with the subtlety of his music. fast forward until today and be prepared to be blown away by how much zaccos musical refinement has developed. swayzaks brun listened to the first sketches of this ep and immediately decided to give a go to the main track. the result is a conceptual treatment that reflects the advanced maturity of the swayzak sound, deep inspiration to most, if not all.

played by reboot, joris voorn, martinez, christian prommer, lee curtiss, sis, ... ever wondered what a butch diana ross on acid might sound like…? well youre about to find out… but before we get to overside, youve gotta enjoy and marvel at the sheer brilliance of the rest of jairo catelos latest offering on silicone souls darkroom dubs. our man from the asturias has rapidly built a strong and loyal following thanks to his beautifully crafted house cuts. jairos ability to bring together dubby textures and an innate soul within his productions is most enviable. his warehouse ep features three original new cuts backed by a rework from french house guru, phil weeks. lead cut soul school is something of a two-headed beast. whilst its kick-drum and dramatic synth stabs drive it with a serious dose of funk, it still retains a warm-summer soul that will keep the fillies moving. then, as a little sax break goes to our head, were flipped and the beats and bass get sleazy and old school. killer! mr. weeks beings some 90s flow to the table on his remix. working the guitar licks and bassline hard but always retaining a smooth as silk groove, phil shows just how to keep the dancefloor cookin. a beautiful house record from one of the very best. >yairos 303 acid< mix of overside finds us getting upside down and inside out. serious funk with an injection of some classic acid styles. final cut >the shake< sees jairo roll out drums. a lazy bassline is swarmed by ripping snares and a host of percussive sites and sounds. a perfect close to a pretty much perfect ep.

robokop returns for his second vinyl release on mwm recordings. this time he teams up with julia for this dubstep smasher. spl on the flipside with a wicked remix! were proud to present our 1st vinyl release!

the outside agency and sei2ure had never collaborated until this release, and in retrospect they were most likely doing the world a favor. the simple reason for this is that the two monsters theyre letting loose upon the world on this release can only be described as extremely dangerous. the outside agencys signature hard-hitting kicks and drum & bass percussion combine with sei2ures hard-hitting everything to provide weaponry for the next two millennia. this is definitely one of the most hardcore releases on one seven five thusfar. guaranteed to work on any dancefloor it finds in its path as per usual. no negotiating. no hostages.

follow-up 4 track 12 inch to the first volume that was released earlier this year. in line with the concept of these two eps, the tracks were again taken from juergen junker live-set, recorded straight out of the machines. friend of the house is a collaboration with pavan mann, whose vocal parts are chopped to bits and more than just add to the live-live feel of the track. therell be more of him in the near future…watch out! its a jungle has a more hypnotic vibe and lures you deeper into the house jungle. dammit is the straight-up jackin track on this ep. no messing around, just rough sounding head-nodding material . feel what i feel starts of as a deep chordy affair. hard to let go off, once the little acid-lines start dropping in. all in all, its house! its that simple… as the neurhythmics also has its 10 year anniversary this month, there will be a special limited edition of this record. 54 records will come with a miniature 3-colour stencil canvas by juergen junker, hand-made and numbered, complete with a mini-easel.

after the massive >pressure< mixes were released in august, vince watson keeps up the momentum with an absolute monster and two class a artists on remix duty - dj rolando and paul woolford. >sequential< is one of those tracks that make your hair stand up just before you run to the dj booth to find out what it is. overall this is an outstanding package and expect to hear >sequential< in every main room in the very near future. oh…, and dont worry, you will know it when you hear it.

the first two solo albums by peter tosh on columbia records were cornerstones of the roots-rock-reggae movement: >legalize it< (1976) and >equal rights< (1977).
thirty-five years have passed since the release of >legalize it< , toshs first album as a solo artist after more than a decade in the wailers with bob marley and bunny livingston. music on vinyl brings it back with remastered audio on 180 grams audiophile vinyl, including 6 bonus dub tracksand 2 insert sheets.

october and john osborn are proud to present the inaugural 12inch on their newly minted bristol and berlin based house & techno label: tanstaafl records. tanstaafl is an acronym for there aint no such thing as a free lunch. we kick things off with john osborns debut release, epoch 4 backed with a darker, reduced, dub-influenced version. john based in berlin worked with october in his bristol based studio to create and produce some wonderful, raw, dirty analogue house music. both tracks were meticulously produced by herr osborn and recorded and engineered by october. laurie appleblims joined the studio session and he dove straight into the juno 60 and played the melody that finnishes the track off. tough floor business for your feet and mind, tried and tested around the world. a great start for this promising label.